Christmas Details 2013

This year's Christmas Competition was published last Sunday. I think that most regular entrants will find that most of the paintings are quite well known, or at least, not that difficult to track down. However, at the time of posting, I am still looking to identify one detail. Good luck to everyone.

The Answers to Christmas Details 2013

Details 1177

This was another detail that eluded me, though it seemed somehow familiar.

This turned out to be by George Frederick Watts. It is one of several versions of Time, Death and Judgement.

Tomorrow, the Christmas Competition will be published. It will be interesting to see if it will be as difficult as last year's. Normally, there are one or two details which entrants state were the hardest to find. 

Details Competition Number 1172

In my opinion, the detail which has been published in this week's New Review has been reversed. It is printed in the New Review as follows:

However, I think that the original of this, the portrait from which it is taken, looks to the right rather than to the left. It was a challenge to locate the original and I was mislead by my thinking to believe that it was later than it actually is.

Posted on Sunday17th. By the way, this was by Van Dyck and was a portrait of Lucas Vorsterman. I would place it as the second most difficult to find of the current year.

Posted Saturday 23rd. It's possible that there are number of similar paintings and etchings some of which may be looking to the left or to the right. 

Most difficult detail so far this year was 1149:

The answer to this was :

Portrait of Lady Thynne by Anonymous.

Christmas Details Competition from Times Gone By 1992 to 2000

Christmas Details 1992 to 2000

I am indebted to Jenny, a correspondent to this Blog who has sent images of these earlier Christmas Competitions to me. It is a strange experience for me to see these for the first time after so many years. For anyone who wishes to pit their wits against these, I have cropped them to remove any scribbled answers (as far as possible).

Christmas Details 1992 - The First Competition - "Christmas Quiz"

Christmas Details 1993 -  "Christmas Details" - Fine Art Sweets and Chocolates

Christmas Details 1994 - "Christmas Details" - No theme

I see here the Sickert portrait of Edward VIII which appeared in a later Christmas Conmpetition and which I was unable to find.

Christmas Details 1995 - "Christmas Details" - Theme - Red Patches

Christmas Details 1996 - "Christmas Details" - Theme - Diagonals

Christmas Details 1997 - "Christmas Details" - Theme - Flat Patches

Christmas Details 1998 - "Christmas Details" - Theme - Points of Light

Christmas Details 1999 - Theme - Advent Calendar

Christmas Details 2000 - Theme - Darkness Visible - Silhouettes

Christmas Details Competition from Times Gone By 2001-2009

Looking through my Details records, the Christmas Competitions stand out. Perhaps the reason for this is the time spent over long dark days, sometimes in inhospitable libraries, though I once remember finding Poussin's   Landscape with the Ashes of Phocion while browsing through Sister Wendy's 1000 Masterpieces in W H Smith's, a book which I subsequently bought. 

The intrinsic value of the Christmas Details Competition is not in the completion of the hunt for the answers, but in the ongoing process of searching itself, followed by the reward of finding each answer. The longer the detail eludes identification, the greater the satisfaction at finding it. My comments recently about the software that is now available to assist the competitors do reflect a feeling that I have which is that competitors with no knowledge of or interest in art history can find the answers and indeed win a competition by pressing buttons on a smartphone. Tom Lubbock used to congratulate the winners, but such congratulations would be empty, I think, if all their efforts consisted in using crude image searches. 

Not wishing to be a hypocrite, I do admit that I use the resources of Google and other library resources myself, but I hope not in a mechanistic way. Does this matter? It matters to me as the Competition is about art and invites the competitor to use her/his knowledge of art, not just to operate a search programme. So in 2009, I was unable to find one last detail, which was the hand of a St John the Baptist. I eventually found it by searching through Tom Lubbock's series of "Great Works" where I found that he had featured the picture in one of his critical essays. This gave me immense satisfaction as I had found the last answer and it also enriched my knowledge of Phillipe de Champaigne.

I am aware that there has been quite a number of views of this Blog in recent days and one or two correspondents have written to me. I can't answer correspondence at present but I shall do so after 7th January. 

Relatively speaking, I think that the Christmas Competition has got easier in recent years. 

There is a traditional toast at Christmas for "absent friends". For me, in this Blog, this brings to mind the late Tom Lubbock, a truly original critic, refreshingly fearless in his opinions who approached works of art from unexpected angles and sowed seeds of thinking that continue to bloom. Though I never met him, he was still a kind of friend through his writings and remains so.

Following that line of thinking, I have decided to put up Christmas Competitions from years gone by. My original pages from the Review are beginning to oxidize and decay. Putting them here will prolong their life! I am putting up Christmas Competitions from 2001-2009 inclusive as that is all I have from Tom Lubbock's years. One day, I may try to obtain the earlier competitions from the 1990's.  Apologies for the scrawl and scribble on the originals that was added in those years of endeavour. I did not find all the answers in every year. I have also got the "Answers" which Tom Lubbock published in the following January. I could put these up here if anyone is interested.

Any comments are welcome here.

If anyone has copies of the competitions prior to 2001 and can post them up here or send an image to me, it would be much appreciated. I have got the answers, but I have no idea which details were included in the competitions.

One final point I would make is that some of the earlier competitions were exceptionally difficult, resulting in one year in there being only 12 fully correct answers. Consequently, it can be a real test and there is nothing wrong with that.

Christmas Details 2001 - "Face off"

In 2001 I failed to find the answer to number 3 which was by "Anonymous, South Netherlandish". Tom Lubbock decided that entrants who gave the "wrong" answer to two other details were not to be penalised. I disagreed with him on this point and wrote to him at length, explaining what I thought. He wrote back to me as follows:

Dear

Thanks for your protest. It's like this. You have rules. But there will always be situations where it is not clear how those rules should be applied or interpreted - as the compendious history of law and legal rulings attests.

The Christmas Details results produced a tricky situation. Correct answers were required. But those two recurrent incorrect answers weren't incorrect in the normal way (eg rough guesses, or mix-ups with a similar picture). Rather, the contestants had identified the detail, had a reproduction of the correct picture in a book in front of them - but unfortunately their book gave them the wrong title. It seemed to me it was the book that was incorrect , not them. So the wrong answers were allowed. (At least, I know this is how the Bosch mistake occurred, about the Picasso I don't know, I only strongly presume, but allowing one, I allowed the other.) That's how I decided to apply/interpret the rule, the word "correct" - by the spirit not the letter.

Of course the decision is disputable. But the point is, it wasn't a concession to ignorance. The wrong-title people had identified the picture which the detail came from - and so those who gave the right titles weren't being robbed (and no naming or apologies needed). It was a concession to bad luck: precisely a matter of fairness, as I saw it. Though I could perfectly well have stuck to the letter, and just said "bad luck!" - hence mention of Christmas. (It strikes me that many, much more important matters also turn on somebody's decision to say, or not to say, "bad luck") But I wonder, if you'd been adjudicating this, whether you would actually have decided it differently.

Yours

Tom Lubbock

Christmas Details 2002 - "Straight Answers"

I recollect that this year I failed dismally to find more than half a dozen answers. There were only 12 fully correct entries. 

Christmas Details 2003 - "Drawn and Quartered"

Christmas Details 2004 - "Christmas Quilt"

I found these fabrics very interesting to spot as some of those which appeared to me to be from one era were in fact from another.

Christmas Details 2005 - "Christmas Posts"

I enjoyed this one, too. My last one here was the Munch, I think. I thought at one time that I would never find it. It is notable here that these were numbered vertically in columns. Poor Tom Lubbock was always the victim of the staff at the IoS who made mistakes...

Christmas Details 2006 - "White Lines"

This was the hardest competition that I ever succeeded in completing. For me, Number 1 was atrociously difficult. I only found it by a laborious process of examining the style of the lettering which eventually led me to Joan Miro through his squiggles and ultimately to Photo: This is the Colour of my Dreams. This search covered a period of several whole days. There was also an error here where the IoS staff included the same detail twice. I corresponded later as follows:

Dear Mr Lubbock
As one of your occasional correspondents about the Details Competition and a failed entrant for the 2006 competition (though with a correct set of answers), I wondered if you intended to use the "missing" picture from the 2006 Competition? "Missing" because Pierrot was included twice?
I should be intrigued to see what other difficult task could have lain in wait....
Are you likely to use this for one of the regular competitions? Or will it remain forever mysterious?
Yours sincerely


"Dear

Well, I didn’t see a copy of the paper that carried the results of the Xmas competition, but in the text that I wrote for it (which may have been cut, of course) I said that the detail that got lost was from Saenredam’s Interior of the Church of St Udolphus (1649). It would have showed an area of white wall with a bit of brown rafter peeping in. This painting has already appeared in the regular competition (Details 567) and so it won’t appear again – at least, I try not to do repeats, except in the Xmas competition, when the visual theme sets the agenda.

Yours sincerely
Tom Lubbock"

Looking at this now and Tom Lubbock's selection of images, it might have been something like this: 

Would I have been able to find that?

Christmas Details 2007 - "Can you get your head around these images?"

This was (another) year when I failed to find all the details. The details that eluded me were number 2 which was a portrait of Edward VIII by Sickert. I just could not decide what the image was of, it did not occur to me that it was a head-on view of a busby.  Number 5 was another error by the IoS staff who did not select the circular part in the painting but a tiny bit out of the top left hand corner of Bruegel's Children's Games. Nonetheless, some entrants managed to find the answer.

Christmas 2008 - "Can you get your head around these jumbled-up bodies?"

This was not too difficult.

Christmas 2009 - "It's all in the Details"

As I noted earlier, number 8 of John the Baptist caused me the most trouble.

This was the last Christmas Details that Tom Lubbock put together as he was very seriously ill in 2010 and died in 2011. 

Christmas Details Competition 2012

Christmas Details 2012

The 2012 Details Competition will be published next Sunday. The golden days of Tom Lubbock's sometimes desperately difficult puzzles at Christmas are over. The difficulty of the Competition has not eased simply because Tom Lubbock died and another person sets the puzzles. It is because the resources for finding the answers have become much more accessible to everyone. So whereas in the early years of the competition the essential resources were a certain amount of scholarship and a good supply reference books or libraries, today all that is needed is the internet, Google and an even more precise software tool which I shall not identify. Sadly this last requires no knowledge of art history whatsoever. Is this dumbing down inevitable? Does anyone care about this apart from me?

Good luck to everyone and I shall look forward to any comments.

Christmas details Competition - A Dog's Life - The Answers

Details 1110

This detail was well nigh impossible to find:

The Independent noted that there were very few entries, but nonetheless there were three winners. As far as I can see, there is no record of this image on the whole of the internet. The answer to the competition is that the title of the picture is Portrait of a Child Holding Rosehips. The attribution is to William Peake.

Details Competition 1085

This was another detail that I could not find. If anyone knows this, I'd be interested to hear. It is too late to enter the Competition now. I suspect that there are two people in this painting and that it is religious or mythological. Potentially it is hard to date as it could be 19th century as well as much earlier. It could be Spanish, though it might be Titian, etc.

Details 1084

As far as Details Competition 1084 was concerned, I did not agree with the title given to it by Jenny Gilbert: Vetheuil: Sunshine and Snow. This title has been superceded as it is now accepted that the picture is of Lavacourt under Snow which is the title that the National Gallery uses.

Details Competition 1079

I was not able to identify this detail from last week's Competition. It looks as if it might be a Pissarro, but it defeated my attempts to find it.

P.S. It was a bit disappointing not to learn how many correct entries there were for the Christmas Competition. I think the Commentary by Jenny Gilbert hints that it will have to be made more difficult for the 2012 Competition.

This was revealed to be "The Fields" by Alfred Sisley.

Christmas Details 2007

Above is the Christmas Competition from 2007. I was unable to find number 5 or number 2.

Details 1076

Last week's detail looked very familiar, but proved not to be so. It was a bit of a challenge to find the artist who came from an unexpected quarter - a person best known for his three dimensional work - Auguste Rodin. It is an unusual subject, too: A Centaur carrying off a Young Man.

RE: [Details Competition Independent on Sunday] New comment on Christmas Details Competition 2011 - Was it the ea....

Hello Greensleeves

Thank you for the comment.

Perhaps I am wrong about this. When a friend of mine won at Christmas in 2007, he got twelve bottles. Maybe it was an error and it should have been six bottles.

I think you'll find the answers, but If you get really stuck, let me know and I shall pass on the necessary information to you.

With best wishes

Details Detective

Christmas Details Competition 2011 - Was it the easiest ever?

Times must be harder at the Independent on Sunday as the prize for the Details Competition has been reduced. In 2011, there are now just two runners-up for prizes and the first prize, the case of champagne, is just six bottles instead of 12. However, it was good to see it back, keeping up Tom Lubbock's tradition. In my opinion, it is the easiest ever and I expect that there will be many correct solutions. Only one image, number 9, caused any trouble at all. The rest were pretty familar. 

Be interested to know if others felt the same. 

Details Competition 2011

For posters asking about a copy of the 2011 Christmas Comptition, "Fingers on Buzzers..." I suggest that you email details@independent.co.uk or obtain a copy from a Public Library. Cannot publish the 2011 Competition at present.

Christmas Details Competition 2011

There is every reason to believe that the Independent on Sunday will publish a Christmas Details Competition 2011 on this coming Sunday, 18th December. There was no competition last year because of the illness of Tom Lubbock who died in the New Year. Since then the Competition has been set by Jennie Gilbert. In my opinion, there has been an increase in the number of more modern pictures in the Competition, something which I think may well be repeated in the Christmas Competition.

It will be intriguing to see what choices have been made. Tom Lubbock used to throw in pictures from old competitions, but no matter what he did, every year quite a number of people found all the answers.

Sometimes mistakes are made in the publishing of the details so one year a minute part of one painting was selected as a detail by mistake by magazine staff. Tom Lubbock excluded this from the Competition proper, even though some people did manage to find the answer.

Does anyone know in which year the first Christmas Competition was set by Tom Lubbock and what all the details were that he set? I think it was in 1994. The first weekly competition was set in September 1990.

Here was the last Christmas Details Competition that ever appeared which was two years ago in 2009.

Details 1048

I could not identify this week's detail. Suspect it's from a forthcomign exhibition of Mountains torrents etc  from Switzerland, etc.

Tom Lubbock 1957-2011

Sadly Tom Lubbock died. A number of obituaries and appreciations, etc, are available online.




http://www.independent.co.uk/arts-entertainment/art/features/tom-lubbock-19572011-2181072.html



http://www.guardian.co.uk/artanddesign/2011/jan/16/tom-lubbock-appreciation-laura-cumming



http://www.independent.co.uk/arts-entertainment/art/news/tom-lubbock-artist-critic-and-independent-great-dies-at-53-2180273.html



http://www.independent.co.uk/news/obituaries/tom-lubbock-passionate-and-erudite-chief-art-critic-for-the-independent-and-the-independent-on-sunday-2180191.html

The Details Competition is continuing under the supervision of Jennie Gilbert.

Tom Lubbock is unwell

Tom Lubbock is not well. Please see the following:

http://www.guardian.co.uk/books/2010/nov/07/tom-lubbock-brain-tumour-language

There has been a recent exhibition of his work: Please see:


http://www.independent.co.uk/arts-entertainment/art/features/tom-lubbock-collages-that-cut-to-the-quick-2149535.html

February and March 2009

Details 830

All three winners this week were friends of mine. Giovanni di Paulo is not the most well known of painters.

Details 831

One of my friends won this one.

Details 832

On the left here is this week's puzzle (Sunday, March 8th)

This proved to be a very difficult detail to track down. I had a fruitless search and I suspect many others will have, too.

We shall see. (On Sunday, there will be a million right answers as the painting is well known and has been recently publicised by Barack Obama who says it is his favourite as it hung on his grandmother's wall. It was by Watts and titled "Hope".)

Mr Lubbock sometimes goes from the familiar  to the obscure, although it could be that the image above is also well known and I just do not recognise it. 

As expected, there was a very large number of correct answers to the Christmas Details competition. Well, it is Christmas.

The Competition puzzle for 924 was as seen on the left: I suggest that it was one of the most tedious details to find. However, I did eventually discover that it was painted by Thomas Couture.

The week after that was an exceptionally easy detail - a knee from the Stonebreakers by Courbet. The winners will be published this week, but I should imagine that there would have been a bagful of correct entries.

This week's, 926, was in a different catergory, though. It was a real poser:

I thought it might be an engraving by Mantegna, but in the end it turned out to be by an artist I had never heard of: Girolamo da Treviso. It is a bizarre piece of political satire, a 16th century anti Roman Catholic picture showing the Four Evangelists Stoning the Pope.

This answer won't be published until a week tomorrow: 8th February.

This blog may not be continuing for too long as I think the Independent on Sunday will be taken over or "fold" fairly soon. It is losing readership hand over fist and is too London centred.

Christmas Details 2008

This is the easiest competition for a number of years. I wonder how many correct entries there were? We shall see on 18th January.

Details Competition 919, 920 and 921

The Details 919 was one that I could not find. I did find very similar images of the metal pot that the woman is balancing on her head. This was by Louis le Nain. I looked for Louis Le Nain on the web. However, it was nowhere to be found. Today's newspaper tells me that the picture is in the V&A and a search in the V&A site finds the image quite easily.

Tom Lubbock made an interesting claim for the image of the milkmaid, arguing that it should be widely known.

I am not sure, as I think the style of le Nain is a little wooden.

Well, last week's image (920) was a William Blake, and even though he has such a distinctive style, it was not so easy to find. It turned out to be Beatrice on the Car with Matilda and Dante.

This week's - 921 - is a seasonal one.

I think that the Christmas Details competition will be published on 20th December.

Details Competition 917

I thought that Tom Lubbock's choice of Vilhem Hammershoi in Details 917 was quite difficult to identify. This was partly because the detail might well have been from another period. Also, not that much of Hammershoi's work can be found outside printed texts. "Interior of Courtyard, Strandgade 30" has had little exposure.

However, as is so often the case, the picture had recently appeared in an exhibition in London. So the metropolitan audience of the Independent have a much greater chance of finding the answer.

It will be interesting to see how many winners are from London this Sunday.

(The paper is clearly failing now (given its declining sales) and the increasing attention to a smaller and smaller segment of the potential audience will only accelerate the decline. )

I also thought it was a pity that Tom Lubbock did not think to mention the significance of the title of the painting by Poussin in 916 - The Ashes of Phocion collected by his Widow. Mr Lubbock was more interested in the type of landscape. Perhaps the landscape surrounding other significant human events was worthy of note, too.

This blog is an occasional discussion of paintings which appear in Tom Lubbock's Details Competition in the Independent on Sunday.
The Christmas Competition is the most difficult, with usually about 16 paintings to identify.
Last year's Competition was almost impossible, I was unable to identify two images: one was an incorrect detail which Tom Lubbock had not selected. However, some entrants managed to find the correct answer. I believe that Mr Lubbock discounted this answer for all entrants who got all the other answers correct.
I was unable to find number 5. See below.